《O somma luce》是由知名导演讓-馬裏·斯特勞布 执导的一部劇情片，Giorgio Passerone 等倾情出演，该片讲述了： 轉自：http://www.filmlinc.com/nyf f/2010/view s-from-the-avant-ga rde-friday- octobe r-1/views- from -the -avant-garde-jean-mari e-st raub “The end of paradise on earth.”—Jean-Marie Straub The 3 3rd verse and last chant of “par adise” in Dante’s Divine C omedy. The film starts with verse 67, “O somma luce… ” and continues to the end. “O Somma luce ” recalls th e first words uttered by Empedocl es in Dani èle Huillet and Jea n-Marie Str aub’s 1987 The Deat h of Empedo cles—“O himmlisch Lich t!…” (O hea venly light!). This extract from Hölderlin’s text i s also inserted into their 1989 f ilm Céza nne.< br/> “O somma lu ce” inv okes utopia, o r better still “u-topos,” Dante , Ho lderl in, Cézanne… the camera movement, recal ling Sisyphus, in t he film’ s long sho ts, suggests its difficulty.< br/> In O somma luce , with Giorgio Passerone’s Dante and the vers e that concluded the Divine Com edy, we find at th e extremity of its poss ibilities, th e al most happy speech of a man who ha s just lef t earthly pa radise, who tries to f ully realiz e the poten tial of his nature. Between the two we find the story o f the world. The f irst J ean-Marie Straub film shot in H D. So sing ular are the textual working methods of St raub-Huillet, and now Strau b on his own, that it is hard to gras p ho w far reachi ng th ey are. Dire ction is a matter of wo rds and speech, n ot em otions and action. Nothing ha ppens at the edges, everythin g is at the core an d shines from there alone. During the rehe arsals we se nse a slow proce ss by which ing redients (a text, actors, an intuition) progress towar ds cohesiveness. It is, forgive the comparison, like the kneading of do ugh. It is the assembli ng and working of someth ing until it become s something else… a nd, in this case, starts to shine. Actually it ’s very simple , it’ s just a question of openi ng up to the lig ht material that ha s been sealed up. Here, the pr ocess of kneading is to bring to life and then rev eal. The m aterial that is worke d on is speech. So it is speech th at becomes visible —nothing else. “Logos” come s to the cinema. The mi se en scène of what words exac tly? The proce ss of revealing, “phaines tai” ; “phainom enon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? Thi s mise en scène of speech , wh ich goes beyo nd a close readin g of the ch osen text, is tr uly comes from a distant source. —Bar bara Ulrich 这一次，她直接从袖 中暗袋里 摸出一个大型储物袋，“知道我要来见您，不仅爷爷让我给您带了好些黄金谷做成的米饭和各类点心，就是我师父师叔他们，都逼着宗里的大 师父，给您弄了好些好 吃的，我师姐采薇还把她弄的极品花茶给我了。”
