《德拉克的回歸》是由知名导演愛德華·格萊納 执导的一部劇情片，拉多萬·盧卡夫斯基 古斯塔夫·瓦拉赫 艾米麗娅·瓦 等倾情出演，该片讲述了：　　與St efan Uher和Elo Havatta一樣 ，Eduard Grecner也是60年代斯洛伐克新浪潮電影的締造者之一。他的三部影 片《一周七天》（1964）《 尼絨月亮》（1965）和這 部《徳拉克的回歸》都  是斯洛伐克新浪潮電影的代表作。這部敘事方法獨特 帶有明顯意識流風格的黑白 影片甚至間接影響到了後來 法國導演格裏耶在捷克拍攝的兩部影片《說謊的人》和《Eden and Afte r》。　　A  special pl ace in the developme  nt of feat ure films is reserved fo r Eduard Grecner, the creator   of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead char acter . After his  initial work w ith Uhe r, Grecner  made his mark as a pro ponent of the so-called &quo t;int ellectual " fi lm, the antithesis of t  he soc iologically, or ra ther, soc  ially critical film. Gr  ecner 9;s great   role mo del w as Alan Resnais, a young French filmmaker who   sought to  introduce Slo vakia to the idea of  film as a l abyrinth  in which meanings are created not by stories  , but by complex c onfigura  tions of dialogue, shots, and  various l  ayers of time, thus diff eren tiating film fro m both literature and  theater. In Drago n Returns―the story  of a solitary he ro wh o is needed  by vi  llagers living  far in the mounta  ins, but who is rejec ted by them at the same time b ecau se of his detachment ―Grecner br ought th  e tradit ion of ly ricized p rose to life through a whole series of formal aesthetic techniques. Alain Robbe-Gr illet imm ediate ly develo ped this idea i  n the film  shot in Bratislava The Man Who  Lies  (Slovak: Muz, ktory lu ze; French title: L';homme qui men t; 1 968), and  perf ected it in Eden an d After (Eden a poto m, 1970).　　从师 父那里，听过很多故事的卫九锡看了眼正在上香的人 ，就接着八卦道：“我师 父说，八臂神猿的地宫下，压的是万生 魔神，那位魔神 能够分神万千，但 有任何一个分神在外 ，他都不可能死。 所以，镇他之人， 必须是个意志坚定，认了死 理后，绝不会被外物影响的八臂神