《德拉克的回歸》是由知名导演愛德華·格萊納 执导的一部劇情片，拉多萬·盧卡夫斯基 古斯塔夫·瓦拉赫 艾米麗娅·瓦 等倾情出演，该片讲述了：　　與S tefan Uher和Elo Hav  atta一樣，E duard Grecner也是60年代斯洛 伐克新浪潮電影 的締造者之一。他的三部 影片《一周七天》（1964 ）《尼絨月亮 》（1965）和這部《徳拉克的回歸》都是斯洛伐 克新浪潮電影的代表作。這部敘事方法獨特帶有明顯意識流 風格的黑白影片甚至間接影響到了後來法國導演格裏耶在捷克拍攝的兩部影片《說謊的人》和《Eden  and  After》。　　A specia l pl ace in  the develop ment of feature films is re served f or Eduar d Grec  ner, th e creator of j  ust one good film, Dragon Returns (Drak sa vra cia, 1 967), titled after the  nickna me of the lead character.  After his i nitia l wor k with Uh er, Gr ecner made his m ark  as a proponent o f the so-called  "intellectual" fil m, the antithesis of the sociologically,  or r ather, soci ally critical fil m. G  recner's great  role model w as Alan Resnais, a youn  g French  filmmaker w ho sought to introduce Slovakia to the i  dea of f  ilm as a labyrinth in whi ch meanings  are created not by stories  , but by  complex confi gurations of dialogue, shots, and various la yers o  f time, thu s differentia ting film from both literature and the ater.  In Dragon Re turns―th e story of a solitar y hero who  is needed by vill agers living far   in the  mount ains, but wh o is re  jecte  d by them a t the same  time be  cause of his det  achment―G recn er broug ht the trad ition of lyricized prose to life through a whole series of formal a esthetic te chniques. Alain Robbe-Gr illet immedia tely developed this idea  in the film  shot in  Bratislava The Man Who Lies (Slovak: Muz, kt ory luze;  French title : L&  #39;ho  mme qui ment; 1968), an d perfect ed it in Ede n and After (Eden a potom, 197 0).　　“我又给您装了两枚美人果， 您不管是自己用，还 是卖，都是可 以的。”说到这里，她顿了顿，笑着道：“老祖，那个虎坤龟的 大龟壳实在太大了，我们没人能弄开，所以……这活就交给您了，回头您弄 好了，赏我一个趁手的龟盾就行！”