《女巫1967》是由知名导演莫洛·鮑羅尼尼 維托裏奧·德西卡 皮埃爾·保羅·帕索裏尼 佛朗哥·羅西 盧基諾·維斯康蒂 执导的一部喜劇片，西爾瓦娜·曼加諾 安妮·吉拉爾多 弗朗西斯科·拉瓦 等倾情出演，该片讲述了：　　"The Witch Burnt  Alive"  　　Af ter a very long,  but visually arre sting animated op ening credi ts sequence , Luchino Viscont i (Death in Venice) di  rects the f  irst st  ory, which  is the lo ngest of t he five, taking ap proximately  a thir d of th e film 9;s running length . Mangano plays a s uperstar actres s and model wh  o travels to a mou  ntain resort, only to find the w  ell-to-do inhabitants have prejudices and   preconceived n otions  about her based on her public persona. The wo men are all jealou s and the m en all  want to  slee p with her, bu t all Mangano wants  is to be le  ft alon e. It9;s a mostly sombe r satiric al piece, bu t st ory-wise  , it languishe  s in i ts modest idea a bit long,  becoming inconsequ ential to all but tho se fasc inated by th e realities of  being   famou   s.　　"Commun ity Spirit"　　Bol ognini '  s piece isn&# 39;t really a story. It's  more of a visual gag, in  a short seg  ment that  features Mangano offering to take an injured man to a hospi tal, driving him  at bre akneck speed through out the city, bu t not  stopping a t locations where he might fi  nd aid. I won't g  ive away the punc hline here, but it succeeds in being amusing, even if it' ;s the kind of thi ng th at only is interesting the first time through  .　　&quo t;The Earth Seen f rom the Moon"　　The esteemed writer/director, Pier Paolo  Pasol ini (Salo), crafts the middle segm  ent, which  is the most artistic and memorable of the five . Re miniscent in style to "Do n Quixote", a rece ntly widowed father a nd his son  travel arou nd the country  in search of a new wife and  mother, and after a lo  ng period, they discover the literall  y speech less Manga no.  She brings joy into their lives, but they are poor, an d in order to find  a better life for them selves, they concoct a sch eme to try to make  some quick cash. The story is cont rived , and not complete ly interesting, but the outla ndish perfor mances, ar twork, and costu  mes does  evoke  great charm and likeability. Although  mute, it's probably the most appealing of Mangano's five  perform ances,  and Toto is terri fic.　　"The Sicilian"　　Fra  nco Ross  i directs th e fourth an sh ortest piece, a straight-forward revenge story that comes  and goes before it ever  has a ch ance of becoming interestin  g. It& #39;s violent, but ea sily the l east satis fying of t he five stories.　　&quot ;A Night Like Any  Other "　　Eastwood's appea rance is cl early the biggest attraction here, which  was filmed in between t he Sergi o Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing  a come dic romantic  lead, and he is affably fun to watch. Famed Italian dir ector,   Vittori o de Sica (The Bicycle Thief, Umberto D.)  does a masterful job with the story, which p erfectly blends the mu  ndane an d the  fantasy in a vi sually satisfying way. The story is about a b  ored housewife (Mangano, of course), wh o tries  in va in to get he r husband to realize that he is not as romantic as he used t o be.  The scene is  intersp erse d with comed ic romance sequences revo  lvin g around   the co uple& #39;s past  romantic inter ludes, and  dreams of how their l ives should be.　　从师父那里，听过很多故事的卫九锡   看了眼正在上香的人，就接着八 卦道：“我师父说，八臂神猿的地宫 下，压的是万生魔神， 那位魔神  能够分神万千， 但有任何一个分神在外，他都 不可能死。所以，镇他之人 ，必须是个意志坚定，  认了死理后，绝不会被外物影响的八臂神猿。 ”