《鏡子的另一面：紐波特民歌藝術節1963~1965》是由知名导演Murray Lerner 执导的一部歐美綜藝，Bob Dylan Joan Baez Judy 等倾情出演，该片讲述了： "Bob Dylan going elec tric" at the 1 965 Newport Folk Festival is one of those epochal moments in rock histor y that seeming ly ev eryone has heard abo ut, but what few people seem to know is that it wasn 9;t some ephemer al event that we only kn ow from word of mouth -- fi lmmaker Murray Lerner documented the performances at the Newp ort Festival for several years running , and The Ot her S ide of the M irror collects footage from the thr ee years Dylan appea red at the cel ebrated fol k gathering, allowing us to s ee Dylan 's rise through the folk scene for ourselves. Watch ing Lerner' ;s documenta ry, what's most remarkabl e is how m uch Dylan changed over the course of 36 months; the yo ung folkie performing at the afternoon " workshop " at the side of Joan Ba ez in 1963 is at once nervy and hesitant, singin g hi s wordy t unes while chopping away at his acous tic guitar and energizing the crowd without seeming to know jus t what he 's doing. In 1964, Dylan all but owns Newport, and he clearly kn ows it; he 's the talk of the Festival, with Baez and Johnny Cash singing his p raises (an d his songs), and his command of the st age is visibly stronge r and more confident while his n ew mat erial (incl uding "Mr. Tambourine Man&quo t; and "It Ain& #39;t M e, Babe&q uot;) sees h im moving aw ay from the &qu ot;protest songs" that first made h is name. When t he audience demands an encore after Dylan's evenin g set (O detta and Da ve Va n Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like th e rock star he w as quickly becoming. By the time the 196 5 Newport Festival rol led around, Dylan9;s epochal "Li ke a Rol ling Stone" was starting to scal e the singl es cha rts, and the hardcore folk audience was clearly of two minds about his popular (and po pulist) succ ess. When Dylan, Fe nder Stratoc aster in hand , perfo rms ";Mag gie9;s Farm" backed b y Al K ooper, Mik e Bloom field and th e rhyth m sect ion from the Paul Butterfield Blues Ba nd, the raucous but hard-drivi ng num ber inspires a curi ous mixture of enthu siastic cheering and eq ually emphatic booing, and whil e leg end has it tha t the vers ion of &q uot;Like a Roll ing Stone" that fo llowed was a sha mbles, the song cooks de spite drum mer Sa m Lay's dif ficulty in finding t he groove, though if anything the division of the crowd 's loyalties is e ven stronger afterward. After thes e two number s, D ylan and his ban d leave the stage, with Yarrow (once ag ain serving as MC) citing technic al proble ms (if Pete Se eger really pulled the power on Dylan, as le gend has it, the re's no sign of it here); Dyl an returns to t he stage wit h an acoustic six-string t o sing "Mr. Tamb ourine Man& quot; and ";It's All Over Now, Baby Blue&qu ot; before vanishing into the night wit hout com ment. While much of the aud ience a t Newport in 1965 wanted the " ;old&qu ot; Dylan back, his strong, w illful perf ormances even on the acou stic stuff makes it obvious that th e sc rappy semi-amateur we saw a t the beginning of the movie was gone f orev er, and th e ovatio ns sugges t more than a few people wanted to see Dylan rock. Le rner' ;s film tel ls us a certain am ount of what we already kn ows, but it gently debunks a few myths about Dylan during this pivotal moment in his car eer, and his perform ances are com mitted and fo rceful th roug hout; no matter ho w ma ny ti mes you'v e read about Dylan 's Newport sh oot-out of 1965, seeing it i s a revelatory experience, and Lerner has as sembled this archival materi al with inte lligence and taste. Thi s is must-see vi ewing for anyone inter ested in Dylan or the folk scene of the '60s. 此时，球中的陆灵蹊在小小的水镜 中，清楚地看到了外面的一切，她小心地戳了戳蓝玉板上的 另一个好像半圆的符文 ，腰间一股柔力袭来，把她挤到一边，一 张好像全由小网织成的东西，从两端连结到到一起，看着……似乎是
