《Villa Empain》是由知名导演Katharina Kastner 执导的一部紀錄片,未知等倾情出演,该片讲述了: Wha t coul d the fat e of the Villa Empain, Baron Empain ’s crazy pro ject in Bru ssels, which has gone thro ugh a long and eventfu l jou rney s ince its completion in 1934, possib ly inspire? Katha rina K astner’s challenge was to draw the p ortrait of t he place, keeping in mind the work of time, li ke in a human existence. Shot in 16mm, her fil m appe als to the senses, it captures the stirring of lea ves undulating in the garden light, the movement of iri descen t pearls, or the colourful games of a p iece by Dani el Buren. Without a wor d, but wit h a ca ressing camera, she pays clos e attention to the hi dden pa tterns on the gorgeo us m arbles, or to the v eins in the most precio us types of wood used to deco rate the rooms. In slight touches, reg ardless of the monum ental aspect of t he 2 7.000 square-feet vi lla and the pool that so impre ssed its first visitors, Katharina Kastn er o ers an orga nic vision of the place, which has been marked by the trials and tribulations of li fe, and used successively as a m useum, an e mbas sy and a squat, until its final renovation. The clev er edi ting ma kes furtive connections, underlines colour associations, mixes up times and tact ile sensation s, while the spaces we exp lore keep rus tling. The film takes us on a reminisc ing journey, with slic es of Empain ’s li fe, fr om the famil y archive here on a h oliday, ther e playing on the beach, image s from a distant past that keep haunting the premises. Th e film reveals to us this livin g sp ace that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us t hrough the villa like an echo of for egone fantasies, a mental s pace , but also a welcoming backdrop for the work of time. A bit like the fi ngerprint work we see in the film, or the slight touch of a pen cil on a blank sheet. 此时,球中的陆灵蹊 在小小的水镜中,清楚地 看到了外面的一切,她小心 地戳了戳蓝玉板上的另一个好像半圆的符文,腰间一股柔 力袭来,把她挤到一边,一 张好像全由小网织成的东西,从两端连结到到一起,看着……似乎是可以躺的。