《歐洲的某個地方》是由知名导演Radványi Géza 执导的一部劇情片，Artúr Somlay Miklós Gábor 等倾情出演，该片讲述了： Som ewhe re in the re mote regi on, the war ends. In th e midst of ruined cit ies and ho uses in t he stree ts, in rural hamlets, everyw here where p eople sti ll live, are c hildren who hav e los t their homes and parents. Aban doned, hungry, and in rags, defenseless a nd humil iated, they wander through the world. Hunger d rives them. Lit tle streams of orphan s merge into a river which rushes forward and submerges everythi ng in its path. The chi ldren do not know any feeling; they know onl y the world of their e nemies. They fig ht, steal, struggle for a mouthful of food, and violence is m erely a means to get i t. A gang led by Cahoun fi nds a refuge in an abandon ed castle and encounters an old c omposer who has voluntarily ret ired into solit ude from a world of hatred, t reason, and crime. How can they find a common g round, how can they become mutual fr iends? The c astle becomes their hiding plac e but possibly it will also be their first home which they may organize and must defend. But even for thi s, the p rice will be very high. To thi s simple story, the journal ist, writer, poet, scriptwrit er, movie director, and film theoretici an Béla Balázs applied many years of experience. H e and the director Géza R adványi cre ated a work whi ch o pened a new pos twar chapter in Hu ngarian film. Surprisingly, this fi lm has not lost any of its impact ove r the years, especially on a profound philosophical level. That is to say, it is no t merely a movie about war; it i s not impo rtant i n what loca tion and i n what period of time it takes place. It is a story outside of time about the jo yless fate o f children who pay dea rly for th e cruel wa r game s of adults. At t he tim e it was pre miere d, the movie was ent husia stically received by the critics. The mai n roles were taken by s treetwi se boys of a children& #39;s group who created the ir role s improvisatio nally in close contact with a few p rofessional actors, an d in the children's acting their own f resh experience of wa r' s turmoi l appears to be reflected . At t he same time, their perfo rmance fits admirably into the mosaic of a ver y comple x movie languag e. Balázs' ;s inf luence rev ealed its elf, above all, in the i ntroducto ry sequences: an air raid on an amuse ment park, seen in a m ontage of d ramatic situations evoking the la st spasms of war , where, undoubted ly, we discer n the i nflue nce o f classical Sovie t cinemato graphy. Shooti ng, the boy's escape, th e locomot ive's wh eels, the shadows of so ldier s with su bmachine gun s, the sound of a w histle—the images ar e linked together in abrupt sequences in which varying shots and e xpressive sharp sounds are e mphasized. A perfectly pl anned screenpl ay avoided all eleme nts o f sentimentality, time-worn stereotypes of wronged children, romanticism and ch eap simplification. The authors suc ceeded i n bri dging the p erilou s dra mati c abyss of the metamorphosis of a children& #39;s community. T heir telling of the story (the scene of pill aging, the assault on the cas tle, e tc) independently introduced some neorealist ele ments which, at that time, were be ing propagated in Italy by De Sica, Ros sellini, and other film artists. The rebukes of conte mporary cri tics, wh o calle d atte ntion to "formal ism fo r its own sak e"; have been forgotten. The maste rly art of cameraman Barnabás Heg yi g ives vitali ty to the poetic i mages. His a ngle shot s of the children, his composition of scenes in the castle inter ior, are a li ving doc ument of the times, and underline the atmosp here and the cha racters of the pr otagonists . The success of the picture was also enhan ced by the musical art of compose r Dénes Buday who , in ten se situations, in sert ed the theme of the Marseilaise into th e movie's structure, as a motive of c ommunity unification, as an expressio n of friendship and t he possibility of unders tandi ng. Valahol Europaban is the first significant postwar Hu ngaria n film. It originated in a relaxed atmosphere, replete with joy and euphoria, an d it includ es t hese elemen ts in order to demonstrate the strength of humanism, tolerance, a nd friendship. It represent s a general condemnation of war anywhere in the world, in any form. 想到那个神出鬼没 的东西，印颜 的心又剧烈 跳动起来，“本来，昌长老感觉能按住那条大尾巴，可是， 不知怎的，它 突然又厉害起来，然后，那 小冥兽，好像鬼魅一般，借着地利，连着抹了西才他们的 脖子，昌长老没办法，才完全放开 了身体的封印。
