《萊奧諾拉的告別》是由知名导演保羅·塔維亞尼 执导的一部劇情片，娜塔麗·拉布蒂·戈麥斯 馬西莫·波波利齊奧 法比齊 等倾情出演，该片讲述了：　　Three   years  after the lo ss of his brother Vittorio, wi th whom   he share d his entire career  , Paol o Ta viani returns to the works  of Lui gi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (Yo u Laugh). In  keeping with th  e Sicili an playw right’s vision, the film is not at  all what it appears to be. The tit le may com e from a 1910 nove lla, but there is no trace of that book’s jealous y-ri ddled plot.  Inst ead, the  focu s is on Pirandello  himself, or rather, his ashes, which are transpor ted from a hasty buria l site in fascist Rome to a permanent restin g plac e in Sicily,  on a trek that  take s us through p ost-war Italy and its fi lmed memories, as s een in  newsreels, ama teur fil ms and fragments of Neorea lism. Having buried the master, Leonora addio  then  shifts  gear from road movie to fi lm adaptatio n, but here it picks a different P irandello story, namely the last one, written shortly before his d eath in 1936. From t he f  arewell of  the title  to its return to t he writ  er’s last words, it is h ard not to read this work, so free and  yet so much a part of the Taviani world,  as a moving brotherly  fare well wh  ich, just as in 2012’s Golden Bear wi nner Ca esar Must Die, once aga in uses cinema to give voice to literature and  history.　　说到这里，木头人顿了顿，“你可能不知道 ，我主人一直怀疑， 他们之中，有早就到这方 宇宙的佐蒙人潜伏。他说，那个人智计 无双，大家一直查不到 他，可能是因为，那人的修为远在他们之上，是  对方隐藏 起来的第三位圣者。”